Past Lives

Magic the Gathering

portrait by Geof Darrow

My portrait by Geof Darrow

Past Life – Magic The Gathering Art Director | Killing a Goldfish – Interview – April 23, 2015 | See resume 1995-98 details >

In a past life I was the art director for Magic The Gathering, the monumental collectible trading card game — among many other stately duties at Wizards of the Coast (WOTC). What an honor and privileged it was. While perusing the web a while ago I stumbled upon Jesse’s blog ‘Killing a Goldfish’. He had, I thought, written a candidly insightful review of the Mirage card set — the first of 6 sets I art directed for WOTC from 1995 – 1998. So I left a comment. He responded by asking for an interview. I invited him over so we could go through all the WOTC relics, and original art I’ve keep on hand all these years.

“I’m Jesse Mason. This blog started as mostly rambling about combo decks, but has evolved into some sort of literary critique/humor/Smackdown! hybrid.”

View “an interview with sue ann harkey, magic’s greatest art director”

View Mirage Block

View Adobe Magazine 1996 MTG article

 


 

Past Life – Pop-Up Book Designer | White Heat | Santa Fe – 1993-94 | See Pop-Up Book resume >

When I lived in New Mexico I worked at ‘White Heat’, a pop-up book packager headed by the amazing paper engineer James Roger Diaz. As a graphic designer and paper engineer prototyper I built original and licensed IP’s for many major children’s imprints. I wrote and designed a pop-up book which got pitched (and nearly published) where siblings Meg and Ram get trapped in virtual reality. 1993 proved too early for that subject.
Now that’s what I call interaction design.

Goofy pop-up book - Waly Disney Press - 1994What's in the fridge? - Ruth Tilden - LITTLE Simon & Schuster - 1994

View Colette Fu – We Are Tiger Dragon People. My colleague at White Heat Sally Blakemore, traveled with Colette through China while she was shooting for this extraordinary pop-up book.

 


 

Past Life – Typography – Art Production | Publishing | New York – 1983-92 | See publishing resume >

I’ve had a whole early career as a print production artist in publishing. Being in the field just when the industry was going from galley to desk-top-publishing put me in a great position as an early adapter to technology. I transitioned from X-ACTO blade to QuarkEpress over night. I ended up at Rodger Black Studios as the production manager on Mother Earth News magazine. The studio was redesigning every magazine in town at the time. After years of analog paste-up at New York Magazine I also had short stints at these other publications.

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